DeBlogs > Samantha Newcomb
1. It looks like YOU. This is where we steer away from glamour shots or anything that takes us too far away from the real, everyday you. The picture should look how you look on your best day, and should look how you would appear when you walk into an audition.
2. It tells a STORY. There are plenty of great pictures one could take. You look fabulous, you’re smiling wide, the lighting is great….but what else? What are you saying in this picture? What glimmers of personality are we seeing? Where might I see you in the world I know and the world I am imagining? It is crucial that your shot not only say “I’m cute” but also says more about you and what you bring to the table. If you are known for your fire, confidence and sass, and can play lots of characters like that – I should see a glimmer of that in your eyes and in what you chose to wear. If you play more of the shy or goofy person, then I should see a bit of that humor behind your eyes as well. It’s about telling people what you want them to know about you before they get to meet you.
3. There is versatility and variety in your shots. Different shots can be used for different things. For instance, on one hand I can play a lot of commanding roles – people who are in charge and know what’s going on, but I can also the shyer, sweeter, offset-of-ingénue type. Now, when I am auditioning for different roles, I want different photos that showcase those qualities. You only need a couple great shots when you are starting out. They should capture the couple sides of your “type”, and when you nail those down, you’ll be able to use your shots for a variety of roles, projects, and companies. Realize that styles are a bit different in each city, so knowing what you need ahead of time and planning is the best way to go.
Joe Turner's Come and Gone by August Wilson-on
the Fullerton Stage:
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I also found this really neat Time Management Planner on the
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This show has been so fun to work on, and not to mention so rewarding and inspiring. The production is a rarity for The Theatre School, as there is a nearly all black cast, performing in a show written by an amazing black playwright, directed by the only black female performance faculty member, with stage management and design teams who also include POC. Diversity and representation in schools and in the arts is so important, and as a woman of color, it is such a gift to me to be able to be a part of a show that is exploring, celebrating and showcasing my own culture and the complexity of human life. I am currently sharing the stage with many MFA (graduate student) actors, as well as other BFA (undergraduate) actors as well. And it has been such a learning experience just watching my peers work as well.
This show opens November 6th and runs until November 15th. Student tickets are only $5 for any show. If you’re already a student at DePaul, or are in the area I highly recommend seeing this show! For more information about this show, tickets, or our 2 other mainstages currently in performance, Esperanza Rising in the Merle Reskin Theatre downtown, and The Lady from the Sea in the Healy Theatre on campus, please visit The Theatre School website.