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Fall exhibitions at DePaul Art Museum examine architecture, place

Julia Fish
Julia Fish, an American artist whose career spans four decades, is a professor emerita at the University of Illinois at Chicago. Seen here is her work "Threshold – fragments : Matrix [ spectrum with grey ] and Plans [ spectrum : east to west ]." (Courtesy of the artist. Photo by Tom Van Eynde)
DePaul Art Museum presents three new exhibitions this fall, organized on the occasion of the Chicago Architecture Biennial. Together, the exhibitions — “Julia Fish: bound by spectrum,” “Architectural Annotations” and “Remember Where You Are” — consider the influence of architecture, geography and place on individual narratives and experiences. The exhibitions open to the public Sept. 12 from 6 - 8 p.m. at the museum on DePaul’s Lincoln Park Campus. They will be on view through Feb. 23, 2020.

‘Julia Fish: bound by spectrum’
Julia Fish, an American artist whose career spans four decades, is a professor emerita at the University of Illinois at Chicago, where she taught from 1989 to 2015. For three decades, she has used her house and its vernacular architecture — a Chicago storefront designed by Theodore Steuben in 1922 — as the basis for a system of mapping color, form and light in paintings and works on paper. “Julia Fish: bound by spectrum” presents a survey of the last decade of the artist’s paintings and works on paper while providing new scholarship around her ongoing project that brings together the disciplines of painting, drawing and architecture. This is the first major museum survey of Fish’s work in more than 20 years, and debuts three new paintings.

Rendering architectural details, specifically thresholds, at actual size and from observation, Fish creates a subjective response to objective information, informed by effects of light in space, time of day, the seasons, cardinal direction, and her own physical vantage point. Fish examines and recontextualizes evidence of her house within paintings, which elude pure abstraction. They are depictions of transitional spaces filtered through Fish’s increasingly complex visual logic.

‘Architectural Annotations’
Accompanying her solo exhibition, Fish has guest-curated a selection of works on paper largely from DePaul Art Museum’s permanent collection. “Architectural Annotations” provides insights into Fish’s creative vision and interests and expands on her own practice of rendering architectural space through painting. Fish includes the work of the Burnham Brothers, Douglas Garofalo and Giovanni Battista Piranesi as examples of the impact of encountering and learning from significant architecture in Chicago and Rome.

The exhibition also features musical annotations inspired by architecture, including American composer Andrew Norman’s “The Companion Guide to Rome” (2006–10), a series of nine musical “portraits” that reflect the experience of visiting architecturally significant churches and basilicas. In this installation, composer and performer Anne Leilehua Lanzilotti presents a selection of annotations and graphic analyses in response to selected scores from “The Companion Guide to Rome.”

‘Remember Where You Are’
The exhibition “Remember Where You Are” presents work by four emerging artists based in San Antonio and Chicago who use performance, sculpture and textiles to make visible untold narratives of heritage and place, while questioning practices of exclusion and erasure. Their works are informed by layering personal and public histories to imagine new methods for navigating the world around us. The exhibition draws its title from a durational work by exhibition artist Jimmy James Canales and the S.U.R.V.I.V.A.L. acronym.

Artists featured in “Remember Where You Are” include:
  • Jimmy James Canales uses performance and sculpture to create works about exploration, myth and technology. For this exhibition, he’s scheduled to complete a two-day, 27-mile trek across the city of Chicago July 26-27, collecting found materials and creating documentation to be installed in the museum’s galleries.

  • Jenelle Esparza examines the history of cotton and labor in South Texas through photography and textiles. Her recent projects consider the intersections of Mexican and American culture and the implications of generational trauma.

  • Melissa Leandro fuses digital and traditional weaving techniques in fabric works that touch upon painting as well as her experience as the daughter of a domestic worker. Leandro combines colors and patterns that speak to her Costa Rican roots with abstract patterns and found furniture.

  • Emilio Rojas uses his body to address legacies of colonialism and oppression. His current research studies Chicago’s ties to Christopher Columbus from the World’s Fair to the present day, and invites speculation and imagination of alternative histories.
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